4.8 • 2.6K Ratings
🗓️ 9 June 2021
⏱️ 28 minutes
🧾️ Download transcript
It’s not easy to talk about death. We associate dying with so much suffering and loss. But for many people, the end of life is full of peaceful remembrance of the moments and relationships that have meant the most. For the leading man in Puccini’s Tosca, that’s the sweetness and beauty of his beloved.
Caught up in the messy politics of his time, Mario Cavaradossi has been arrested, interrogated, and tortured. And then, he’s sentenced to death. “E lucevan le stelle” finds Cavaradossi in his prison cell one hour before his execution. He knows his life is over, and what does he do? He gets lost in a daydream about a passionate night spent with Tosca. Host Rhiannon Giddens and her guests explore the memories and dreams that give us meaning at the end of our lives.
Joseph Calleja, A.K.A. The Maltese Tenor, sees a lot of himself in Cavaradossi - they’re both men of intensity and passion. He says that if the spectrum of human emotion were a harp, Puccini knew exactly the right string to pluck at just the right moment to convey the emotion the character is feeling.
Carolyn Abbate teaches music at Harvard University and writes about opera, including the book A History of Opera. One of the memories that she holds most dear is of an afternoon spent in a meadow with her son when he was young.
Dr. Christopher Kerr is the CEO and Chief Medical Officer at Buffalo Hospice and Palliative Care. Chris recently wrote a book called Death is But a Dream: Finding Hope and Meaning at LIfe’s End, about the dreams and visions that many people experience at the end of their lives. This work was later turned into a film, which became the basis of a Netflix production and a PBS World documentary.
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0:00.0 | People at the end of life are recalling their core relationships. |
0:08.0 | So you can be 95 years old, lost your mother when you were 5, |
0:12.0 | but it's her perfume, you smell, it's her voice, you hear say I love you. |
0:17.0 | From WQXR in the Metropolitan Opera, this is Arya Code. I'm Rianne Gibbons. |
0:24.0 | How do we remember something? Do we remember it loudly? Or is memory a quiet thing? |
0:32.0 | Because it's something that's half lost. |
0:35.0 | Every episode we take apart a single Arya so we can understand how it works. |
0:40.0 | Today it's a luce van les stelle, from Tosca by Jacamo Puccini. |
0:46.0 | Literally he's closing his eyes and he's describing how her kisses felt, |
0:51.0 | how her skin felt, how she walked among the fields like she's floating. |
1:03.0 | So about a year ago at the beginning of the pandemic, my son came downstairs. |
1:09.0 | He was seven at the time and he clearly been cogitating on something. |
1:13.0 | And he just added the blue, this is before breakfast. He said, |
1:16.0 | Mom, if all we're going to do is die, what's the point of living? |
1:22.0 | And I hadn't had my coffee. |
1:25.0 | And I was just kind of like reeling with this existential crisis in my kitchen. |
1:30.0 | And it really made me think about death. |
1:33.0 | How do I answer this question? And there's this horrible silence. |
1:38.0 | Because I didn't really know what to say. |
1:40.0 | Death is not something that we talk about a lot in this culture. We're afraid of it. |
1:46.0 | But it's one of the two things that we all do no matter what, |
1:49.0 | we're all born and we all die. |
... |
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