4.8 • 2.6K Ratings
🗓️ 10 March 2021
⏱️ 33 minutes
🧾️ Download transcript
Sometimes, the only thing that gets us through the darkest moments is knowing that the sun will rise again on a new day. Puccini's final opera, Turandot, is about courage in the face of adversity, and love triumphing over fear. In other words, it is exactly what the world needs right now.
The aria “Nessun dorma” is Prince Calaf’s declaration of love and resounding victory cry. In this episode, host Rhiannon Giddens and three guests explore what makes this aria so popular even beyond the opera house, and how it became an anthem of resilience and hope during the COVID-19 pandemic. This episode features Italian tenor Franco Corelli in a Metropolitan Opera performance from the Before Times (a.k.a. 1966).
The Guests:
Conductor Yannick Nézet-Séguin is the Music Director of the Metropolitan Opera, Philadelphia Orchestra, and the Orchestre Métropolitain in Montreal. He loves conducting Puccini’s biggest, most majestic opera, but his favorite moments are the intimate arias like “Nessun dorma.”
Writer Anne Midgette is the former classical music critic for The Washington Post. She first heard the aria on a Book of the Month Club cassette tape in college, and thinks the secret sauce for “Nessun Dorma” is in its climactic underdog declaration of “Vincerò” -- “I will win.”
Dr. Michael Cho is a pulmonary and critical care physician at Brigham and Women’s Hospital in Boston, and has been on the frontlines of the COVID-19 pandemic. He’s also a violist, and has been playing with the Longwood Symphony Orchestra for more than 15 years. Recently, he joined the National Virtual Medical Orchestra, a group that formed during COVID to give people in the medical field a chance to play together. Watch their performance of "Nessun Dorma" below.
In April of 2020, 700 children across Europe sang a virtual performance of "Nessun dorma" as a message of hope and solidarity, from Europa InCanto. You can meet two of the stars in this episode, and watch their performance below.
Click on a timestamp to play from that location
0:00.0 | It's a cry of victory, a cry of hope and a cry of an underdog overcoming the odds |
0:11.0 | and winning after all. |
0:14.5 | From WQXR in the Metropolitan Opera, this is Arria Code. |
0:18.1 | I'm Rianne Gibbons. |
0:19.7 | It feels like the fog is dissipating. |
0:22.5 | It's trying to rise above the darkness and the night. |
0:27.1 | In the last episode, we break down a single Arria so we can hear it in a whole new way. |
0:31.8 | Today, it's one of the most heroic and hopeful Arria's ever written, Ness Sundorma from |
0:37.1 | Huchini's Turned Out. |
0:39.0 | This is victory and triumph and defiance, and you win with compassion and love. |
0:54.5 | Well, it's been a year. |
0:56.8 | So I just need to start out by saying how glad I am to be back with a new season of |
1:01.1 | Arria Code. |
1:02.4 | And I'm so glad you're here too. |
1:05.2 | So yeah, it's almost impossible to put into words with these last 12 or so months |
1:09.7 | of mint for all of us. |
1:11.6 | There have been some bright spots though, like getting to spend a lot of time with my kids, |
1:16.7 | making pasta, lots and lots of pasta, and it's all currently sitting here right on my |
1:22.9 | hips. |
1:23.9 | Thank you very much. |
1:24.9 | And most importantly, making music. |
1:27.9 | And look, I miss performing live like every other musician on the planet, but there's still |
... |
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