4.6 • 699 Ratings
🗓️ 13 January 2022
⏱️ 37 minutes
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0:00.0 | Hello there. This is Mark Bauerline with another conversation. Before we get to it, a word about one of our sponsors. |
0:16.0 | Located in the foothills of Wyoming's spectacular Wind River Range, Wyoming Catholic College, |
0:21.6 | an accredited four-year Great Books Institution is built on the ancient Western tradition of the liberal arts and the freedom of the American West. |
0:29.6 | The college offers its students an immersion in the primary sources of the classical tradition, |
0:33.6 | the grandeur of the mountain wilderness, and the spiritual heritage of the Catholic Church. |
0:38.3 | Students experience the illumination of imagination and intellect through the great books and traditional disciplines, |
0:43.3 | literature and philosophy, mathematics and theology, science and Latin, and an outdoor program second to none. |
0:50.3 | The college celebrated an in-person graduation with its seniors last year and welcomed its largest |
0:56.1 | freshman class ever this year. Learn more about the college's unique space in the world of American |
1:00.7 | higher education at Wyoming Catholic.edu. |
1:04.6 | Ross Dowdh is with us today, who, as the saying goes, needs no introduction, certainly not to |
1:09.2 | first things audiences. |
1:14.9 | He's a columnist for the New York Times and author of many, many things, including the book, |
1:21.4 | The Decadent Society, which we discussed here on the podcast many, many moons ago. |
1:24.5 | His latest book is something quite different. |
1:29.0 | It's called The Deep Places, a memoir of of Illness and Discovery, our topic today. Welcome, Ross. It's great to be back, Mark. Thanks so much for having me. |
1:34.7 | Your opening describes a bedroom, a desk, and a strange box with cords and metal tubes. |
1:43.3 | Now, I don't want you to describe what that is, Ross. |
1:46.9 | Not yet. Maybe we should just leave that scene for our audience who want to, who want to go out |
1:53.8 | and buy the book real fast. It's a tease. It's a tease. It's a tease, yeah. Okay, but it's a very powerful opening because it is a little bit |
2:07.3 | mysterious. We don't quite know what's going on just as a compositional point. Yeah, what was at the point? |
2:15.1 | It's not only for us right here, but as you write the book, |
... |
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