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Aria Code

Rossini's Barber of Seville: On a Wig and a Prayer

Aria Code

WQXR & The Metropolitan Opera

Music Interviews, Music Commentary, Aria, Music, Arts, Metropolitan, Performing Arts, Code, Wqxr, Opera, Wnyc, Studios

4.82.6K Ratings

🗓️ 7 April 2021

⏱️ 41 minutes

🧾️ Download transcript

Summary

Chances are, you know the overture to The Barber of Seville (maybe from Bugs Bunny?!) but Gioachino Rossini’s most famous opera is more than a comedic romp. Embedded in the topsy-turvy tale of young love and silly disguises, there is a story of forced marriage and a woman’s determination to live a life of her choosing.

We meet the heroine Rosina for the first time in the aria “Una voce poco fa,” in which she declares that while she may seem sweet and innocent, she is really not someone to be messed with. Host Rhiannon Giddens and her guests explore the courage it takes to live life on your own terms and the way this almost absurd story pulled from a centuries-old novel still resonates today. You’ll hear how one guest has her own escape-from-a-forced-marriage story that uncannily matches Rosina’s.The Guests:

Soprano Pretty Yende first sang the role of Rosina in Norway in 2014, and it’s since become one of her favorite roles. She loves playing Rosina because the character is fun, witty, and unlike so many operatic heroines, she gets to hit all the high notes and live happily ever after.

Conductor James Conlon is Music Director of the Los Angeles Opera. He first heard The Barber of Seville when he was 11 years old and fell in love on the spot. Later that summer, he made his debut as director, producer, and Count Almaviva in his friend’s garage, with a very appreciative audience lined up in the driveway.

Activist Jasvinder Sanghera is a survivor of forced marriage. She has spent the last four decades advocating for women, children, and men silenced by domestic abuse and forced marriages, and founded the award-winning charity Karma Nirvana in 1993.

Transcript

Click on a timestamp to play from that location

0:00.0

It's like a pigeon, you know, being locked in and not allowed to fly.

0:08.1

And all she wants is to just get out of this house and enjoy freedom.

0:15.2

From WQXR and the Metropolitan Opera, this is Arieco.

0:19.2

I'm Rianne Goodins.

0:21.3

People should be free to choose their own mate and they should not have that forced upon

0:28.0

them by anybody.

0:30.2

Every episode we crack open a single area so we can see what's inside.

0:34.2

Today, it's a feisty number from Rossini's Barber of Seville, Unabote Pocophon.

0:40.4

And I just remember thinking, ugh, it's the thought of marrying a stranger.

0:46.4

And there was this rising feeling of, no, I'm not accepting this, I'm not marrying

0:52.9

him.

1:11.0

You know that one.

1:12.0

It's from the Barber of Seville by Joquino Rossini.

1:15.8

And here it goes in my Italian this time, Il Barbiere di Sevilla.

1:21.3

The Barber of Seville is based on a play by the French writer Pierre Beaumars-Shay.

1:25.4

It's about skaming men and a clever woman who escapes a forced marriage and finds her

1:31.2

freedom.

1:32.2

It's got some of the most memorable characters and loopy plot twists in opera history.

1:37.3

So buckle up, because here we go.

1:40.6

First, there's the young Hanson Count Almaviva, a noble man from Madrid who's very wealthy

1:47.0

and he's got the hots for Rosina, a beautiful young woman from Seville.

1:51.3

So he does what anybody would do.

...

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