4.2 • 5.5K Ratings
🗓️ 15 April 2025
⏱️ 23 minutes
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0:00.0 | Listener supported, WNYC Studios. |
0:10.8 | This is The New Yorker Radio Hour, a co-production of WNYC Studios and The New Yorker. |
0:17.9 | This is the New Yorker Radio Hour. I'm David Remnick. |
0:23.0 | Ryan Coogler began his career in film as a realist. His indie debut is called Fruitvale |
0:29.9 | Station. It's a tragedy about a police killing in the Bay Area train station, and it scrupulously |
0:35.6 | followed the last day of the victim's life, leading |
0:38.2 | up to the shooting. Cougler moved from there to the drama of creed about a young boxer, |
0:45.8 | a film that was in the line of Rocky. And then he went on to make the super commercial |
0:50.9 | widescreen fantasy, a Marvel hit called Black Panther, of course. |
0:56.6 | In his new movie, which is called Sinners, Ryan Coogler is still dealing with themes of race |
1:01.8 | and history and faith, but this time he's packed it with vampires. |
1:06.4 | What y'all doing? Just step aside and let me on in now. |
1:10.4 | Why you need him to do that? |
1:12.6 | You big and strong enough to push passes? |
1:14.6 | Well, that wouldn't be too polite now, would it, Miss Andy? |
1:18.6 | I don't know why I'm talking to you anyway. |
1:21.6 | Don't talk to him. You're talking to me right now. |
1:24.6 | Why you can't just walk your big ass up in here without an environment, huh? |
1:28.7 | Go ahead. |
1:29.8 | Admit to it. |
1:31.8 | Admit to what? |
1:33.3 | That you dead. |
... |
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