Wake up, babe. Band's plan is back.

That's right, your favorite extremely long music podcast has returned,

and this season, we're talking grudge.

As usual, there's goss, there's tea, there's an excessive amount of facts and info, and you know what?

There's nine hours on a band that rhymes with Schmurlshmam, plus much, much more.

Listen to new episodes of bandsplaying with me Yossi Solak every Thursday. From Spotify and the Ringer, this is Dissect, long-form musical analysis broken into short digestible episodes.

This is episode 10 of our season-long dissection of M.F. June.

I'm your host cool Krishna. Our last On our last episode, we concluded our multi-part dissection of M.F. Doom and Mad Libs

Mad Villaini. Officially released in March of 2004, the album was universally praised from day one, beloved by hip-hop purists, critics, and casuals alike, exposing both artists to new audiences beyond the underground hip-hop community.

In subsequent years, Mad Villaini has solidified itself

as an undisputed classic that continues

to assert its influence across multiple generations and genres.

Both Madlim and Doom followed Mad villainy by releasing solo projects in the same year.

Mad Lib returned to his live jazz experiments, releasing the album a tribute to Brother

Weldon under the pseudonym Monkews, the keyboard player in Mad Lib's fictional jazz band

Yesterday's new Quintet. Doom for his part released two more projects in 2004. First came V. Veev2,

aka Venomous Villain, the second and final album from Victor Vaughn released on the underground

label Insomniac. VVie2 was met with sub-par reviews mostly because Victor doesn't actually

V. V2 was met with sub-par reviews mostly because Victor doesn't

actually appear all that much on his own album.

Many of the songs feature underground up-and-coming rappers on Insomniacs label,

with Vic himself spending less than 10 minutes on the mic across the album's 32 minute

...