From Spotify and the Ringer, this is Dissect, long-form musical analysis broken into short digestible episodes.

This is episode four of our season-long dissection of M. F. Dune. I'm your host Cole Cushin. Oh, oh, oh, oh, oh, oh, oh, oh, oh, Oh, oh, In interviews throughout his decades-long career, Daniel Dumelay often made it a point to distinguish himself not as a rapper, not as a musician, but a writer.

In 2005 he told the wire, quote, I'm an author.

It just so happens that what I write is in rhythmic form and it's over music."

Four years later in 2009, Dumle told Hip Hop DX, quote,

Writers are born and we're not doing it like, yeah, I think I'll be a writer today we can't help it if I had another job if I was a gardener or a city worker I would still be writing rhymes unquote

As we noted earlier this season Daniel's innate love for the written word can be traced all the way back to the third grade,

when he carried a notebook dedicated to putting words together for fun.

That youthful fascination with language would sustain his entire life,

manifesting at a macro and micro level,

with both Dumelay's authorship of a multi-character musical universe

with interacting narrative-driven albums

and the anomalous poetic lyricism of his intricately

composed verses, where each line is rich with literary devices like alliteration,

synectaky, enjabment, and of course, high-density multi-syllabic rhyme.

And there's perhaps no better example of Daniel Dumelay's relentless line after line

display of linguistic mastery than Mad villainy's third track,

the subject of our episode today, Meat Grinder.

Tripping off the beat kinder, dripping off the meat grinder, he's nineer, pimping, stripping,

sauce sweet miner. China was a first song Doom and

According to Stone's

art director Jeff Jank. Meekrinder was the first song Doom and Mad Lib composed for Mad Villeney after meeting up in LA.

...