4.9 • 10K Ratings
🗓️ 30 April 2024
⏱️ 33 minutes
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0:00.0 | Wake up, babe. Band's plan is back. |
0:04.0 | That's right, your favorite extremely long music podcast has returned, |
0:08.0 | and this season, we're talking grudge. |
0:10.0 | As usual, there's goss, there's tea, there's an excessive amount of facts and info, and you know what? |
0:16.0 | There's nine hours on a band that rhymes with Schmurlshmam, plus much, much more. |
0:21.0 | Listen to new episodes of bandsplaying with me, Yossi Salek, every Thursday. |
0:27.0 | From Spotify and the Ringer, this is Dissect, long-form musical analysis broken into short digestible episodes. |
0:36.0 | This is episode six of our season-long dissection of M.F. Dune. |
0:40.0 | I'm your host, Cole Kishna. Oh, you know. Oh, yeah. |
0:54.0 | Oh, yeah. |
0:55.0 | Oh, yeah. |
0:57.0 | And, And, the |
0:57.0 | And, |
0:58.0 | And, |
1:00.0 | you |
0:57.0 | And, |
1:00.0 | you |
0:57.0 | And you And you Mad villainy's 14th track Figaro was among the initial songs M. Fowdoom and Mad Lib recorded for the album and finds both artists in prime form. |
1:12.4 | The track begins with a sample of the 1966 song |
1:15.5 | Janine by jazz organist Lonnie Smith. On Figaro, the sample is slightly pitched down, but other than that, it's played straight without alteration or additional elements. |
1:39.0 | This upbeat syncopated introduction is soon cut off by a new sample, which is a different tempo and in a different |
1:45.2 | key signature than the first. Despite the two opening samples, they're actually pulled from the same album, |
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