4.9 • 10K Ratings
🗓️ 8 April 2025
⏱️ 57 minutes
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0:00.0 | Hey everyone, just a heads up that after today's episode, we will be taking a mid-season break |
0:04.5 | from our Mr. Morale episodes. However, I will have some other content to share every Tuesday during |
0:09.6 | the break, including an epic two-part Super Bowl halftime show analysis and a special episode |
0:15.2 | on GNX. Thank you for your understanding, and I hope you enjoy today's episode. |
0:21.1 | For the Ringer Podcast Network, this is Dissect, long-form musical analysis broken into short |
0:26.2 | digestible episodes. This is episode nine of our season-long analysis of Kendrick |
0:30.5 | Lamar's Mr. Moral and The Big Stepers. I'm your host, Kolkashna. |
0:49.7 | Last time I dissect, we examined Mr. Morales' eighth track We Cry Together. |
0:55.1 | It was there we experienced an exchange of toxic verbal assaults that we interpreted as a dramatization of a pain body episode. According to Eckart Tolle, the pain body is composed of all the |
1:00.4 | unconfronted trauma we've experienced in our life. In order to survive, the pain body requires |
1:05.6 | a renewal of pain that it seeks out in the form of drama, most commonly with intimate partners or close family members. |
1:12.4 | This drama typically occurs in a state of complete unconsciousness, when the ego and pain |
1:17.4 | body unite, taking full control of your behavior. This is what we heard play out on We Cry |
1:22.5 | Together, two people completely overtaken by their pain bodies and looking to inflict as much pain on each |
1:28.2 | other as possible. Once fed, the pain body goes dormant again, which allows the couple |
1:33.0 | and we cry together to use sex as a mask to offset the abuse they just experienced. |
1:38.3 | While by the end of the song, it seemed clear the couple did love each other, their pain |
1:42.1 | bodies, i.e. their unconfronted trauma, keeps them |
1:45.3 | trapped in a toxic cycle of abuse. And until that trauma is confronted, the cycle will continue. |
1:51.5 | Hence Whitney's demand at the end of the song. |
1:56.3 | Stop tap dancing around the conversation. |
1:59.6 | Whitney's command puts an end to the charade. |
... |
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