4.4 • 13.7K Ratings
🗓️ 16 April 2000
⏱️ 35 minutes
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0:00.0 | Hello, I'm Kirstie Young and this is a podcast from the Desert Island Discs Archive for |
0:05.6 | rights reasons we've had to shorten the music. |
0:08.7 | The program was originally broadcast in the year 2000 and the presenter was Sue Lolley. |
0:31.0 | My castaway this week is a sculptor. |
0:33.0 | His job, he says, is a bit like being a builder and it's being a bit of a builder |
0:37.6 | that's undoubtedly helped make his reputation. |
0:40.0 | He read engineering at Cambridge but subsequently went to the Royal Academy schools |
0:45.0 | and then became Henry Moore's assistant. |
0:47.0 | He learned to question assumptions. |
0:49.0 | He learned to test the rules. |
0:51.0 | Gerdas, nuts and boats often painted in brilliant primary colours |
0:55.0 | became the raw material of his vision, creating pioneering works |
0:59.0 | which revolutionised sculpture. |
1:01.0 | Today, at the age of 76, he's held in high international esteem. |
1:06.0 | A position he's achieved, he says, by doing things which are difficult. |
1:10.0 | British sculpture was sleepy for decades. |
1:13.0 | We have to make sure it doesn't get sleepy again. |
1:16.0 | He is Anthony Caro. |
1:18.0 | Is it yourself a pointed task in that sense then, Tony, to keep pushing ahead |
1:23.0 | always to try to do something new, something different? |
1:26.0 | It's what I want to do for me. |
1:29.0 | I want to challenge myself. |
... |
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