4.6 • 930 Ratings
🗓️ 5 February 2025
⏱️ 50 minutes
🧾️ Download transcript
On the February 5, 2025 episode of /Film Daily, /Film editor Ben Pearson is joined by /Film editor Brad Oman and editor and chief film critic Chris Evangelista to talk about the narrative features of Sundance 2025.
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0:54.4 | everything secure. Hello, everyone. Welcome to Slash Film Daily. Today is Wednesday, February 5th, |
0:59.4 | 2025. On today's episode of the show, we're going to be talking about the narrative features of |
1:04.0 | Sundance 2025. My name is Ben Pearson. I'm an editor at Slashfilm.com, and I'm joined on today's episode by Slashfilm Editor, Brad Oman. |
1:11.5 | Hey, that's me. |
1:12.9 | And Slashfilm editor and chief film critic, Chris Evangelista. |
1:15.9 | Hello. |
1:17.0 | All right, guys, this is the last Sundance episode we're doing. |
1:19.6 | Before we get started, I wanted to address something that happened during the online portion of Sundance this year that I don't think has ever happened before. |
1:26.8 | Multiple movies |
1:27.5 | ended up getting pulled from the online platform because someone who paid to watch them, |
1:33.4 | presumably from the general public, leaked clips from these movies on social media, which is just |
1:38.2 | major loser behavior. And it impacted our ability to do our jobs, which really sucks. I secured tickets to |
1:45.8 | see two movies that were pulled from the platform. And I know there was at least one more |
1:49.4 | instance where this happened. So anyway, just please don't do that if you happen to be the |
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