Oh, here we go again. The voices in his head.

When you're the New York Times Popcasts, you are, if I was a boy, then I be the boy of music,

music criticism.

I am your host, John Cara, Monica. I'm

We're listening to My boy only breaks his favorite toys. That's Taylor from the

Tortured Poets Department.

As you know, the Tortured Poets Department is out.

Deluxe came out a couple days ago

with Joe and I talking about the album this week in this episode it's

mailbag time we put out the big call I want to be honest so many responses to

make me wonder as I often wonder should we just go all

Taylor all the time should we just do 52 weeks 52 episodes all Taylor and one of the things that was

actually really psyched to see so many first time question

askers.

I feel like I know everyone's name who asked questions and there were so many people who were asking their first question, a lot of long time first times,

which I'm really pumped to see. So we're going to get into a bunch of esoteric corners of Swiftiana today.

Some of you have been demanding the presence of Karen Gans.

And Karen Gans, I am pleased to report, is here.

Karen Gans, pop these together with the New York Times, hello.

Hello, it's true, I'm back. I was summoned like the ghost on Florida that Florence is singing

him out. A very strange song. Everybody's so busy liking that song that no one's talking about how

effing weird it is. So we will get to that. Karen is here and also Tom Brian is here Tom the Don Dada stereo gum author of the first and one of the loudest and most pointed reviews of this

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