4.4 • 696 Ratings
🗓️ 10 January 2024
⏱️ 50 minutes
🧾️ Download transcript
In this episode of Zone 7, Crime Scene Investigator, Sheryl McCollum, talks with forensic artist, Joe Mullins. Joe discusses how he uses his artistic talents to help law enforcement solve cold cases. He shares stories of bringing names and answers to families, challenges interpreting ancestry from skulls, memorable lessons from John Walsh, and the rewards of teaching forensic art.
Guest Bio and Links:
Joe Mullins is a forensic artist with 25 years of experience, particularly, in facial reconstruction for cold cases. Mullins has studied at the Savannah College of Art and Design and attended the FBI Academy. He works with the National Center for Missing and Exploited Children. Listeners can learn more about his work at www.missingkids.org.
Resources:
The Art of Forensics at the New York Academy of Art
National Center for Missing and Exploited Children
Show Notes:
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Sheryl “Mac” McCollum is an Emmy Award-winning CSI, a writer for CrimeOnLine, Forensic and Crime Scene Expert for Crime Stories with Nancy Grace, and a CSI for a metro Atlanta Police Department. She is the co-author of the textbook., Cold Case: Pathways to Justice. Sheryl is also the founder and director of the Cold Case Investigative Research Institute, a collaboration between universities and colleges that brings researchers, practitioners, students and the criminal justice community together to advance techniques in solving cold cases and assist families and law enforcement with solvability factors for unsolved homicides, missing persons, and kidnapping cases.
You can connect and learn more about Sheryl’s work by visiting the CCIRI website https://coldcasecrimes.org
Social Links:
See omnystudio.com/listener for privacy information.
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0:00.0 | It was about 2005, 2006. |
0:12.7 | I was shopping for some toys for my children when I saw this kit, and it was a green box with big letters that said CSI. |
0:21.6 | And then it said forensic facial reconstruction kit. |
0:26.6 | Now it was clearly designed as an educational toy, I would say from 12 to 14 and up. |
0:34.6 | But I thought my students at the college would love this kind of as a side project. |
0:41.8 | And my thought for getting this whole thing started with them was for them to learn what actually |
0:47.7 | goes into these facial reconstructions. You start with just a skull and then you've got to take great time and care |
0:57.0 | to put together this face, these eyebrows, these ears, these lips. It takes a minute. Now, I'm going |
1:05.0 | to tell you all the truth. By the time my students got finished, our person just looked like this sexy pirate. |
1:12.5 | They had all kind of names for him that I will spare y'all, but just know they were hilarious |
1:16.4 | Captain So-and-So and whatnot. |
1:18.7 | But what they did learn, these non-artists, is the time that it takes, the understanding that it |
1:26.5 | takes to look at just a skull and then try to create this missing person. |
1:32.3 | It was one of the best exercises ever, even though it was just a toy. |
1:38.3 | Tonight, we got the real deal. |
1:42.3 | We got Joe Mullins. |
1:45.0 | This is part of our legend series, and when I say legend, I mean it. |
1:49.2 | One of the most important thing Joe is doing with his time and talents, he's teaching the next generation. |
1:56.8 | For 25 years, he has created images that have helped ID people that have gone missing. |
2:03.9 | Those that have been recovered with no name. |
2:06.7 | Joe has studied at the Savannah Art of College in Design. |
2:11.1 | He attended the FBI Academy. |
... |
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