4.4 • 785 Ratings
🗓️ 1 January 2025
⏱️ 37 minutes
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0:00.0 | If you enjoyed the Spectator's podcast, why not subscribe to the magazine as well? |
0:04.2 | You can get 12 weeks of The Spectator for just £12, plus a free £20 £10,000 or weight trade voucher |
0:10.6 | if you go to spectator.com.uk forward slash voucher. |
0:14.7 | This is a podcast-only deal and we hope you take us up on it. |
0:24.3 | Hello. and we hope you take us up on it. Hello and welcome to The Spectator's Book Club podcast. |
0:28.0 | I'm Sam Leith, the literary editor of The Spectator. |
0:30.5 | This week, I'm very pleased indeed to be joined by the Nobel Prize-winning Turkish novelist, O'Han Pamuk. |
0:36.8 | And Orhan's new book that we're going to talk about |
0:38.9 | is not a novel. It's described as illustrated notebooks, and it's called Memories of Distant Mountains. |
0:46.0 | Now, O'Han, you write quite early on in this book that you say from the ages of seven to 22, |
0:52.8 | you were fixed your life you were going to be a painter. |
0:56.4 | And then that changed. |
0:58.1 | Can I ask why that changed? |
0:59.9 | I explain all this in a way in my autobiographical essay book, Istanbul. |
1:07.1 | The whole book is not only about that, but mostly about that if you pay attention to the narrative voice. |
1:15.9 | The narrative, that is, me when I was a child, I was raised in a family of civil engineers, my grandfather, my father, my father, uncles, all civil engineers. |
1:24.9 | And I was expected to go to the same Istanbul Technical University, |
1:28.9 | which I did. |
1:30.3 | But since I was raised among the engineers as a black sheep, that is, I was artsy, I was painting, |
1:39.6 | drawing, and everyone was saying, I'm talented when I made a picture in the class, painting class, |
1:45.6 | everyone surrounded me. |
1:47.0 | Oh, and then the professor was, the teacher. |
... |
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