4.4 • 102.1K Ratings
🗓️ 15 December 2024
⏱️ 34 minutes
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0:00.0 | Hi, my name's Devin Gordon, and I'm a contributor to the New York Times Magazine. |
0:12.0 | So maybe you remember, last year there was a major strike by the Writers Guild of America |
0:17.7 | and the Screen Actors Guild that completely stopped Hollywood |
0:21.6 | for several months. And one of the issues at the core of the contract negotiations with the |
0:27.3 | movie studios was the subject of AI. Guild members were concerned that AI could replace humans |
0:36.2 | at every stage in the creative process, |
0:40.1 | that studios would soon use AI to write screenplays, direct and edit films, design the |
0:46.3 | special effects, and even read and decide which scripts were greenlit. |
0:51.2 | Actors, meanwhile, were concerned about copyright ownership over their images. |
0:56.6 | They wanted to protect their likenesses from exploitation, reproduction, and profit without their |
1:02.1 | benefit. |
1:04.4 | But I also heard another perspective from AI optimists in Hollywood. |
1:10.4 | They told me that the technology was still widely misunderstood. |
1:14.8 | So I decided to find out what AI was actually being used for. |
1:20.1 | Did the anxiety match the reality? |
1:24.7 | At first, it was difficult to find people in the industry who would go on the record in praise of AI |
1:30.8 | because that can be seen as siding with the machines or undermining union solidarity. |
1:38.7 | But eventually, I was able to speak with artists who have already incorporated AI into their work |
1:45.3 | in films you might have already seen. |
1:49.0 | One use of AI is to make actors look younger or older than they actually are. |
1:55.4 | For example, in a new movie called Here, AI transformed Tom Hanks' face |
2:00.7 | to make him look anywhere from 18 to 80 years old. |
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