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Frank Skinner's Poetry Podcast

Thomas Hardy

Frank Skinner's Poetry Podcast

Avalon

Arts

4.81.9K Ratings

🗓️ 19 April 2023

⏱️ 41 minutes

🧾️ Download transcript

Summary

This week: Thomas Hardy’s poetry, featuring love, death and men that look like holly bushes. The poems referenced are ‘Exeunt Omnes’, ‘A Light Snow-Fall After Frost’ and ‘A Countenance’.

Transcript

Click on a timestamp to play from that location

0:00.0

Hello and welcome to Frank Skinner's poetry podcast. Let me tell you a little story. Many

0:11.4

years ago I was invited to a New Year's Eve party at the home of Richard Wilson, famous

0:19.3

actor, star of one foot in the drive. No, I know you don't believe it, he didn't either.

0:26.6

Anyway, it came to midnight and a lady next to me just grabbed me for New Year's kissing

0:33.7

and I realised it was Julie Christie, the actress, and then another actor Alan Bates came over

0:41.8

and did a very strange wink at my girlfriend of the time from about 18 inches away. What do these two

0:50.9

actors have in common, Christie and Bates? Well, I'll tell you, they played Beth Sheba Everdeen

1:00.4

and Gabriel Oake in the film Far From The Mad in Crow. So we were brought together that night

1:06.2

by Thomas Hardy, the man who wrote that novel and who wrote several fabulous novels that I

1:13.0

started during what I like to call my first degree. However, in 1896 when Julie Obscua was

1:25.2

published, Hardy got a bit of stick for its twisted morality and so he gave up on novels and turned

1:34.0

to poetry. Now that could have been a disaster. Canada great champion of prose, right? The delicate,

1:41.0

beautiful fragile flowers that are poetry. The answer, a resounding yes, only yeses resound,

1:50.6

by the way. I don't know what I do. Anyway, so he wrote poetry and his first collection came out

1:59.3

in 1898 and in the end he published about 900 poems. I know, but you know what, I love them,

2:09.3

love them, love them. They are little unusual creatures. That's what I think. A writer called

2:20.3

The Irving Howe said and I think this is very pertinent. Any critic can and often does see all that

2:29.1

is wrong with Hardy's poetry, but whatever it was that makes for his strange greatness is harder

2:37.4

to describe. And I think when you first read Hardy's poetry in this happened to me, you do think,

2:43.9

what's this? But pretty soon if you persevere, it starts to creep into your in a most parts.

2:55.0

I'm going to go straight into one, although I should probably say that they have a tremendous

3:03.1

variety of form, all sorts of uses of rhythm and rhyme and different length of lines.

...

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