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🗓️ 31 March 2025
⏱️ 13 minutes
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We begin a week of selections from Lyrical Ballads with today’s nostalgic and pastoral poem, “Lines Written a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye during a Tour, July 13, 1798.” Happy reading!
Jonathan Kerr of the Wordsworth Trust writes about the revolutionary context of the Lyrical Ballads and the revolutionary nature of the project itself:
“Wordsworth and Coleridge’s first major literary undertaking and a pioneering work of English Romanticism – came into being at a tumultuous moment in England’s history…Not since the English Revolution had the country faced such alarming upheaval and discord within its borders.On first glance it might not seem like the little collection authored by Wordsworth and Coleridge has much to do with this heady and factional atmosphere. Lyrical Ballads came about in the spring and summer of 1798, when the Coleridge and Wordsworth families lived as neighbours in the secluded village of Holford, Somerset. Wordsworth and Coleridge had only known one another a short time, but they became quick friends and mutually-admiring colleagues. The small village provided both poets with a break from the spirited goings-on of cities like London and Bristol, which could often be dangerous places for young men with unorthodox opinions. Coleridge and Wordsworth, both committed reformers through the early years of the French Revolution, knew this is as well as anybody, and their retreat into the country was motivated as much by concerns for their personal security as anything else.
…Whether or not Wordsworth and Coleridge continued to sympathize with the revolution abroad, there can be little doubt that with Lyrical Ballads the two were committed to one kind of revolution at least, a revolution in the sphere of poetry and art. Lyrical Ballads is among other things an attempt to purify poetry of the cold conventions which had come to dominate the literary scene, at least according to both poets; in place of this, Wordsworth and Coleridge wanted to bring poetry back to what is most common and recognizable, and also most important, within our emotional, social, and imaginative lives. If this doesn’t seem like such an extraordinary undertaking today, this might owe to the remarkable success of Wordsworth and Coleridge’s quiet revolution on the literary front.”
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0:00.0 | Welcome back to The Daily Poem, a podcast from Goldberry Studios. |
0:08.2 | I'm Sean Johnson, and today is Monday, March 31st, 2025. |
0:13.1 | And today we are kicking off a week of lyrical ballads, |
0:17.3 | lyrical ballads being the seminal collection of English poetry, |
0:21.2 | authored by William Wordsworth and Samuel Taylor Coleridge, |
0:24.3 | initially published in 1798, |
0:27.1 | and it either began or certainly marked the beginning |
0:30.9 | of the English romantic movement in poetry and literature. |
0:36.2 | Wordsworth and Coleridge both felt that English poetry had become |
0:40.3 | very erudite, very heady and complicated, and that many poets had simply begun writing |
0:49.6 | poems for one another rather than for humanity, for the common man or common audience. |
0:57.2 | And this might sound familiar because this is an accusation or a charge that gets leveled |
1:01.5 | against poetry of the mid-20th century as well, often justly. |
1:07.4 | So Wordsworth and Coleridge decided they were going to do something different and in their mind return to an older mode. |
1:16.1 | And so they took, as part of their inspiration, classical pastoral poetry, and they determined that they were going to write a kind of verse or return to writing a kind of verse in which simple, natural |
1:31.1 | subjects take the foreground and that the voice would be the human voice, the voice of the common |
1:40.0 | man, the voice of the shepherd and the farmer and the peasant. In other words, a relatable voice. |
1:47.6 | And finally, because they were themselves being influenced by German romantics, and in Germany, |
1:53.6 | Romanticism began less as a literary movement and more as a philosophical movement. |
1:58.3 | They were also gripped with this novel concern for what is |
2:02.9 | happening in the mind and in the imagination when you write a poem. And so they began to pay attention |
2:09.9 | to that and try to articulate some sort of description of that phenomena. Thus, Wordsworth arrives, or perhaps wordsworth with Coleridge's consultation, |
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