4.8 • 709 Ratings
🗓️ 16 January 2019
⏱️ 58 minutes
🧾️ Download transcript
For 25 years, Zach Lind has carved a creative niche within the often rigid parameters of modern rock. He talks about: manufacturing pressure to force the creative process along; growing up with a professional baseball player for a father; being raised in a Conservative Baptist environment, and ultimately leaving the church; "musical monogamy" with the remarkably consistent Jimmy Eat World.
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0:00.0 | I feel like I want to approach my kids where I want to give them as little as possible to unlearn. |
0:20.0 | This is Joe Wong. |
0:21.7 | Welcome to the Trapset, where each week we explore the lives of drummers. |
0:26.5 | I want to play something for you. |
0:37.0 | This time it's on my own. You're hearing from somewhere else. |
0:49.3 | You're hearing Lucky Denver Mint by Jimmy Eat World, featuring my guest, Zach Lind on drums. |
1:01.3 | Formed by Arizona High School Friends in 1993, Jimmy Eat World quickly gained major label attention |
1:07.4 | and has produced a remarkably consistent body of work ever since. |
1:11.6 | Zach's beats carve a unique creative niche in the often rigid world of modern rock, |
1:17.6 | his intelligently restrained style sometimes giving way to unbridled bombast, |
1:22.6 | and his sense of arrangement gives the band's definition. |
1:26.6 | Aside from his work in Jimmy Eat World, Zach and his sense of arrangement gives the band's song's definition. |
1:29.6 | Aside from his work in Jimmy Eat World, |
1:33.3 | Zach and his wife, Holly, have a band called The Wretched Desert. |
1:36.3 | I spoke to him in downtown Los Angeles. |
1:39.9 | And now my conversation with Zach Lind. I'll catch up when we get home. I think we've made a lot of |
1:57.2 | I think we've made a lot of records where it's sort of, we wait till we're ready. |
2:03.7 | And what we learned when we did Integrity Blues was, that's bullshit. |
2:09.1 | You know, like, we want to put out an album this time on this particular year. |
2:15.5 | So then we work backwards. |
2:16.9 | And then we should start hiring people. |
2:18.5 | So we hire the mixer. We hire the producer. We hire the studio. And it's like, |
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