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LGBTQ&A

Carolina de Robertis: A Love Letter to Anyone Who's Felt Despair

LGBTQ&A

Jeffrey Masters

Society & Culture

4.7703 Ratings

🗓️ 3 August 2021

⏱️ 27 minutes

🧾️ Download transcript

Summary

"If we all wait for all the homophobic people to come around, we're going to give up our whole lives. For me, having kids really rooted me in that." Carolina de Robertis joins us to talk about her new novel, The President and the Frog. LGBTQ&A is hosted by Jeffrey Masters and produced by The Advocate magazine, in partnership with GLAAD. Come find us on Twitter @lgbtqpod.

Transcript

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0:00.0

So a couple of years ago, I realized that I had walked to my local bookstore on probably

0:09.7

five separate occasions to buy the exact same book to give away as a gift.

0:16.0

And that book was Cantoros by Carolina de Robertees.

0:20.1

It centers the lives of five queer women in Uruguay,

0:23.5

and something about it just captured me. Here they are living under a deeply oppressive

0:30.0

regime, and yet they still find a way to explore their queer identities. They find joy,

0:36.1

joy in the face of seeming despair. So for many reasons,

0:39.8

I am deeply fond of that book, and as you can assume, was very excited to get to talk to

0:45.0

Carolina for the podcast. We talk about Cantoras, of course, about what keeps calling her

0:50.3

back to Uruguay in her writing, and we also talk about her brand new novel that

0:55.1

is called The President and the Frog and is loosely based on Jose Mouhika.

1:00.4

Jose is the revolutionary who, after many years of imprisonment, eventually went on to become

1:05.2

the president of Uruguay.

1:07.4

The novel focuses on that time in his life when he was imprisoned. He was imprisoned for 12 years,

1:12.8

and according to him, helped him maintain a sanity by talking to a frog. So the new novel is called

1:18.8

The President on the Frog, and it's out now. From The Advocate magazine in partnership with Glad,

1:25.2

I'm Jeffrey Masters, and this is LGBTQ and A.

1:33.5

So you immigrated from Uruguay while your mom was pregnant with you. You lived in England,

1:41.1

Switzerland, and in California, and in much of your work, you keep returning

1:44.9

to in writing about Uruguay. I feel like it is a simple question. You know, why do you

1:50.8

keep returning to it in your writing? And yet, not every immigrant does feel compelled to write

1:55.9

about their homeland. So I do want to start off by asking, what is it about this place that keeps calling

...

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