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Significant Others

Claire Dederer on Reckoning with Problematic Artists

Significant Others

Team Coco

History

51.7K Ratings

🗓️ 28 March 2024

⏱️ 40 minutes

🧾️ Download transcript

Summary

What is a fan to do with unsavory intel on their idol? Is it possible to separate the art from the artist? Should we even try?

Transcript

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0:00.0

Welcome to significant others. I'm Liza Powell O'Brien and in yesterday's episode

0:06.0

we learned about one of the more unusual love stories in the history of art. Today

0:11.9

we're joined by best-selling author Claire Dieterer

0:14.9

whose essays have been featured in The New York Times, Vogue, The Paris Review,

0:20.1

and The Atlantic, just to name a few.

0:23.0

Claire, thank you so much for doing this.

0:26.0

I've been excited to talk to you in general,

0:28.0

but also especially following the episode that we aired this week

0:32.0

about Dali and his wife Gala.

0:35.3

But before we get into that, I did want to start with your book, which is called

0:38.8

Monsters a Fans dilemma.

0:41.7

And I wanted to talk a little bit about that subtitle and what it means to be a

0:46.3

fan because it's such a specific type of relationship to be in.

0:50.5

Yeah it's interesting that you've homed in on the subtitle because the, it was actually incredibly

0:56.1

hard to write the subtitle.

0:58.3

I kept trying to make it centered around the audience and the fan is really the core relationship here and I think what the fan

1:06.9

indicates that the kind of a chillier word audience doesn't sort of put across is the idea of love.

1:15.0

A fan is connecting to the work with intensity, with all different kinds of emotion,

1:21.0

but most of all with this kind of love and with a quality of personal relationship.

1:28.3

The fan has a connection with the work that's beyond just a mere audience member or a mere admirer of the work.

1:35.6

And the book is very much about trying to take apart what emotions are in place when an audience member, a fan, engages

1:47.1

with a work of art.

...

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