4.8 • 745 Ratings
🗓️ 14 April 2025
⏱️ 58 minutes
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0:00.0 | Welcome to the Creative Pen podcast. I'm Joanna Penn, thriller author and creative entrepreneur, |
0:08.0 | bringing you interviews, inspiration and information on writing craft and creative business. |
0:14.6 | You can find the episode show notes, your free author blueprint, and lots more at thecreativepen.com. And that's Pen with a |
0:23.7 | double N. And here's the show. Hello, creatives. I'm Joanna Penn. And this is episode number |
0:30.5 | 804 of the podcast, and it is Friday, the 11th of April 2025 as I record this. In today's show, I talk to Tara Cremant, the director |
0:41.3 | of Cobo Writing Life, about e-book sales, subscription models for e-book and audio, how to sell more |
0:48.5 | books on Cobo, and how Cobo is dealing with generative AI. So that's coming up in the interview section. |
0:59.5 | In writing and publishing things, well, this is not a political show, but it is at least |
1:04.5 | partially a business show. The US tariffs may affect publishing and the self-publishing advice blog from the Alliance of Independent authors goes into it in an article. |
1:15.4 | The situation is volatile and uncertainty never helps, but even though many tariffs are on hold at the time of recording, the big one isn't, which is of course China. |
1:25.3 | The article says books are currently exempt, but it doesn't stop there |
1:29.5 | being issues from increased printing costs due to various tariffs, shipping delays or duties for books |
1:36.2 | sold into the US, potential future tariffs on publishing related materials like ink or paper, |
1:42.5 | and disruption of global supply chains including print. |
1:46.7 | So even if tariffs don't directly impact authors and publishing, they could increase the cost |
1:52.2 | of raw materials like paper and ink or slow down cross-border fulfilments or affect logistics |
2:00.4 | providers. |
2:01.6 | Particularly at risk are authors who print in or import from China, particularly into the US, |
2:08.6 | publishers relying on global paper and printing supply chains, and of course, traditionally |
2:13.2 | published authors whose publishers import from China, which is a lot of them. Of course, it is very |
2:19.3 | cheap to print over there compared to Europe or the USA. Authors selling physical books and |
2:25.5 | merchandise to the US readers from abroad, or in fact, if you are an author in the US and you |
... |
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