4.8 • 688 Ratings
🗓️ 11 April 2018
⏱️ 76 minutes
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0:00.0 | Specter Vision Radio. |
0:03.3 | Welcome to Weird Studies, an art and philosophy podcast with hosts Phil Ford and J.F. Martel. |
0:21.9 | For more episodes and to support the podcast, go to're recording this podcast. |
0:52.3 | The first time we recorded a couple of hours and didn't sit with us somehow, didn't feel right. |
0:59.7 | And one thing that came up when we were talking later after that first recording session |
1:05.1 | was realizing that we were each sort of thinking about totally different audiences. |
1:12.5 | Like maybe that's just the nature of this podcast, |
1:15.5 | is just going to have a necessarily, I don't know, heterogeneous audience. |
1:20.7 | But you were saying, well, you know, God, another podcast on Alster Crowley, |
1:25.7 | that's like the most normie thing ever, |
1:27.3 | which in the kind of weirdosphere, like if you're looking at like other like a cult podcast or something, then yeah, Alster Crowley is yesterday's news. |
1:35.1 | But I pointed out that in my world, in the academic world, Alster Crowley is still pretty goddamn strange. |
1:42.9 | I actually was telling somebody one of my colleagues this recently. |
1:46.7 | I said basically just that. |
1:48.3 | And he's like, oh, yeah, Alster Crowley's fucked up. |
1:50.7 | That's really weird. |
1:52.3 | So that's, you know, one of the things I always told my students, know your audience. |
1:56.7 | And so that actually presents an interesting question for us in particular, for this podcast that we're trying to do, is how to approach Alster Crowley. |
2:07.1 | He is, depending on who's listening, either a totally marginal, unimportant, perhaps rather mad figure. |
2:13.8 | And for another part of the audience, it's going to be maybe the most important possible figure. |
2:19.0 | Yeah. And for maybe a even smaller portion of the audience, he's an unknown figure. So maybe we |
2:25.2 | should like just give a brief, yeah, just a brief bio. Well, just, maybe you should do that, Phil. |
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