All right. Welcome back to ArtHoles,. My name is Michael Anthony, and this is the

Art and Art History podcast with someone who has absolutely no background in either topic.

And speaking of no background, if you haven't noticed yet, that's probably a good thing, but I have absolutely no idea what the hell I'm doing when it comes to making a podcast.

I am a dude with a laptop and a microphone, and that is basically the whole setup.

So the reading, writing, recording,

finding clips and music, doing all the editing,

it takes a ton of time.

So to save my sanity and to make sure the train keeps running,

I think I'm going to drop each episode

length about 10 minutes maybe a little bit more so from here on out you should

expect probably I don't know maybe 35 maybe 40 minutes each I know we were

starting to trend a little bit longer.

And then it's gonna work in a seasonal format,

so when we're done with Pollock,

I'll take maybe three weeks, four weeks off

to get the next artist worked up.

And I've already selected the next artist,

and it is in an absolutely insane story.

And just a reminder, it's at ArtHoles Podcast

for the art that I mentioned in the show,

and ArtHoles Podcast at gmail.com if you get bored and want to say hi have an artist recommendation or want to lodge a formal complaint that I will promptly ignore.

So enough of the housekeeping. We have a jam-pack episode today, full of shenanigans, so let's pick the story back up.

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