All right, we're live right now with Reason.

We're in New York City, beautiful morning in the Big Apple.

It's always fun being here because I feel like for my music rotation, I'm not sure about you guys.

Every time I travel to different cities, it's in constant change.

And as of recently, what I've tried to do is I've tried to use different playlists and different types of albums for my traveling because let's say I'm in

Los Angeles. I want to be bumping 2001. I want to start bumping like, you know, that sort of vibe

where it could kind of get you in the atmosphere of the city. Same thing for New York. You know,

we were just bumping life after death by Biggie in the car. And it's like, you listen to the sky's the limit and it's like, whoa, that's crazy. All the skyscrapers around you.

So in today's podcast, guys, it's going to be very interesting because we have reason

in the house.

I'm going to let you introduce yourself.

What's going on, man?

Yeah, what's the deal, bro?

Yeah.

It's going to be a fun podcast today because music you were listening to while creating porches.

Because I always find that interesting.

When you create art, getting inspiration from different artists, different sounds, different aesthetics is always essential.

It's always something that's really at play for a lot of different artists.

So I want to ask you that, you know, just before we jump

into the recording and the recommendations, when you're going through, let's say, your recording

process, how does your rotation affect the way that your music comes out? It's honestly,

it's everything to me. Like when I'm, when I'm making an album and I start to get into like the real meat and potatoes

...