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Best of the Spectator

The Book Club: A Publisher's Memoir

Best of the Spectator

The Spectator

News Commentary, News, Daily News, Society & Culture

4.4785 Ratings

🗓️ 12 March 2025

⏱️ 26 minutes

🧾️ Download transcript

Summary

My guest in this week's Book Club podcast is the publisher Anthony Cheetham, one of the biggest figures in British publishing through the second half of the twentieth century and into this one. In his new book A Life in Fifty Books: A Publisher's Memoir, he looks back on his career. He tells me why he had a soft spot for Robert Maxwell; how he launched Ken Follett's career on the top deck of a bus; how losing a press-up competition changed the landscape of publishing (and upset his then wife); how publishing has changed – and how it hasn't; and why Confessions of a Window-Cleaner has a special place in his heart.

Transcript

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0:00.0

On the 27th of March, the Coffeehouse Shots team will be joined by special guests to give you their take on a spring statement.

0:05.9

We will be live on stage at London's Cadogan Hall. To get your tickets today, visit spectator.com.

0:11.6

UK forward slash spring statement live. We'll see you there.

0:25.0

Hello and welcome to the Spectator's Book Club podcast. I'm Sam Leith, the literary editor for The Spectator.

0:27.8

My guest this week is Anthony Cheatham, who is one of the legends of late 20th century and

0:34.6

early 21st century publishing.

0:37.2

And he's just published a memoir called A Life in 50 Books of Publishers Memoir.

0:41.2

Anthony, welcome.

0:42.6

If it's a life of 50 books, let's start with page one.

0:45.0

How did you get into publishing?

0:46.5

How did the business that you've made your career first, as it were, get its teeth into you?

0:52.4

I think I simply saw an ad somewhere.

0:55.5

My father was a diplomat, and he was terribly disappointed that I'd actually opted for

1:01.3

going into publishing rather than following him into the diplomatic service.

1:07.0

And actually, I'm very glad to have a parent who did all those things because it gave me a chance to, I'm fluent in German, he made me learn French. We were also in Hungary, but I never learned in all than two words.

1:22.3

Cosa Chocolon, which means I kiss your hand. So, but the main virtue of publishing is do you actually get paid money to read books,

1:31.4

which I think is a pretty perfect situation?

1:34.4

Well, it certainly is.

1:35.2

I mean, one of the startling things about this book is, you know,

1:38.4

because I think of you, you know, in your later career as having headed up, you know,

1:43.1

PRH and Century and Orion and these great

1:46.5

sort of commercial literary imprints, that you've got a sort of, your personal reading is really

...

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