4.4 • 785 Ratings
🗓️ 12 March 2025
⏱️ 26 minutes
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0:00.0 | On the 27th of March, the Coffeehouse Shots team will be joined by special guests to give you their take on a spring statement. |
0:05.9 | We will be live on stage at London's Cadogan Hall. To get your tickets today, visit spectator.com. |
0:11.6 | UK forward slash spring statement live. We'll see you there. |
0:25.0 | Hello and welcome to the Spectator's Book Club podcast. I'm Sam Leith, the literary editor for The Spectator. |
0:27.8 | My guest this week is Anthony Cheatham, who is one of the legends of late 20th century and |
0:34.6 | early 21st century publishing. |
0:37.2 | And he's just published a memoir called A Life in 50 Books of Publishers Memoir. |
0:41.2 | Anthony, welcome. |
0:42.6 | If it's a life of 50 books, let's start with page one. |
0:45.0 | How did you get into publishing? |
0:46.5 | How did the business that you've made your career first, as it were, get its teeth into you? |
0:52.4 | I think I simply saw an ad somewhere. |
0:55.5 | My father was a diplomat, and he was terribly disappointed that I'd actually opted for |
1:01.3 | going into publishing rather than following him into the diplomatic service. |
1:07.0 | And actually, I'm very glad to have a parent who did all those things because it gave me a chance to, I'm fluent in German, he made me learn French. We were also in Hungary, but I never learned in all than two words. |
1:22.3 | Cosa Chocolon, which means I kiss your hand. So, but the main virtue of publishing is do you actually get paid money to read books, |
1:31.4 | which I think is a pretty perfect situation? |
1:34.4 | Well, it certainly is. |
1:35.2 | I mean, one of the startling things about this book is, you know, |
1:38.4 | because I think of you, you know, in your later career as having headed up, you know, |
1:43.1 | PRH and Century and Orion and these great |
1:46.5 | sort of commercial literary imprints, that you've got a sort of, your personal reading is really |
... |
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