4.8 • 1K Ratings
🗓️ 12 March 2024
⏱️ 59 minutes
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This week, we’re talking titles. Yep, that stage when you think the work is complete - and there’s still the process of coming up with a title for your masterpiece. Does it even matter what we choose? Do they make you more or less likely to buy a painting?
From locations to the disappointment of “untitled” we look back over some of our favourite ways to select relevant titles - and even try to think of the most off-putting title we can. With so many ways to choose, this is the final stage and can be deeply personal; Alice thinks “A painting title is like a free gift”.
Do you agree? What’s your favourite way to pick a title?
Book your ticket to the SoulMade event with Alice Sheridan and Kellee Wynne here:
https://www.soulmadeevents.com/ticket
Mentioned:
Nino Yuniardi https://nino.studio/
Jackie Fehl https://www.jacquifehl.com/
Heather McDowell https://heather-mcdowell-art.sumupstore.com/category/florals
Find Alice Sheridan at:
www.alicesheridan.com
@alicesheridanstudio
Find more about Louise Fletcher:
www.louisefletcherart.com
@louisefletcher_art
Credits: "Monkeys Spinning Monkeys" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License
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0:00.0 | I do like to have a title. It feels like it's an extra gift. Like it's a gift. |
0:05.6 | Yes, that's just like a gift. When you give someone a gift, there's no guarantee they're |
0:10.4 | going to like it. So this is the same thing. |
0:17.2 | Good morning and welcome to Archus. This is episode |
0:21.2 | 243 of the podcast that brings you honest, generous and humorous |
0:26.0 | conversations that will feed your creative soul and get you thinking with me |
0:30.6 | Alice Sheridan and Louise Fletcher. |
0:34.0 | And today we're going to follow on from last week's discussion about pricing. |
0:38.0 | It feels like a really nice natural flow with a talk about titles, how we name and title our artwork, which was actually prompted by a comment or a question on something that Louise suggested. |
0:52.0 | So we'll get stuck into that in a minute. We've already had a little bit of a |
0:55.2 | gig of how we do ourselves before we started recording, which may or may not be in sneaky outtakes at the end. But first of all, what have you been doing this week? |
1:05.6 | I've been painting. |
1:08.1 | Good. Oh my God, artist in Making art scandal. |
1:15.0 | First time in a while that I've had a few studio days and it's been interesting roller coaster ride up and down of getting it right and then not getting it right and I've |
1:28.8 | talked about this before but when if your work is supposed to be about embedding emotion into the painting, it's extremely |
1:40.2 | difficult when you are a thinky mind person like I am. So I go one successful day, |
1:49.1 | yep, that those might be a bit ugly or whatever, but they feel like I felt that's good. |
1:55.0 | Then the next day thinking mind starts getting involved and everything goes downhill |
2:01.0 | and then I have to rain it back in and remember no it's just |
2:06.2 | about choosing what you feel like that day it's as simple as that for me. It's not about thinking, well, blue might be a good colour to represent how I'm feeling. I'll choose blue. It's not that thinking. And it's interesting how art mirrors life, |
2:24.8 | but this is what I'm like in life. |
2:28.2 | I do work with Georgina Noel, who's been on the podcast |
... |
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