Today we are here to talk about the X-Men.

We have to talk about the X-Men.

It's been about a year since they announced the giant X-Men reboot and virtually everything has gone sideways.

Cancellations after cancellations after cancellations.

There isn't a week in recent memory that hasn't gone by with a new one of these books being canceled.

They can't even reach five issues in some cases.

Comics before the second issue have arrived are being canceled.

This is a bit of a dire situation.

And I mean, this is a story, a storied franchise.

No title in the last 50 years has had so much legacy, so much success. And yet now

it is a line of books that is struggling. It is struggling to connect. It is struggling to

leave a new legacy. Look, we come with some solutions today.

We're trying to get to the solution side of things.

Some are easy fixes.

Others are a little more complex in their approach.

But we got to talk about the X-Men.

They need to get an S-O-S, okay, calling out an S- an SOS on behalf of the X-Men, because, boy, do they need it now more than ever before we discuss all of that, plus so much more on an all-new edition of Robeservations.

Hey, everybody, and welcome to another edition of our observations. I am your host, Rob Leifeld. I make the comics. I write the comics. I draw the comics. I published the comics. And recently I went back to even

attending the printing of the comics and pulling them out of the machines as they came off, flew to the printer.

That's how much I love these books. That's how much I care about the production.

And the book has launched. Youngblood is one of the many comic book titles, characters, worlds that I have created.

It relaunched. We re-engaged it. Last week, we had a week-long

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