Robert Zemeckis is Back With Here, A Big Swing That Doesn't Quite Connect
/Film Daily
SlashFilm.com
4.6 • 930 Ratings
🗓️ 1 November 2024
⏱️ 47 minutes
🧾️ Download transcript
Summary
On the November 1, 2024 episode of /Film Daily, /Film editor Ben Pearson is joined by /Film editor and chief film critic Chris Evangelista to talk about Robert Zemeckis’ latest movie, Here.
In Our Feature Presentation: Here Review: This Forrest Gump Reunion Is An Interesting Experiment Gone Wrong
- General thoughts
- Digital de-aging (AI)
- Picture in picture effect
- Take a break
- Spoilers
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Transcript
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| 0:30.6 | Hello, everyone. |
| 0:31.2 | Welcome to Slash Film Daily. |
| 0:32.3 | Today is Friday, November 1st, 24. On today's episode of the show, we're going to be talking about Robert Zemeckis' latest movie here. My name is Ben Pearson. I'm an editor at slashfim.com, and I'm joined |
| 0:42.8 | on today's episode by Slashfilm editor and chief film critic, Chris Evangelista. Hello. All right, Chris. |
| 0:48.7 | So let's get right into this movie. Let's talk about some general thoughts about the film before we get into spoilers. What did you think about Roberts of Mexico's newest movie? Yeah, you know, I go into |
| 0:58.8 | every movie hoping to like it. Like I don't go into a movie being like, I hope this sucks, |
| 1:05.4 | you know, because I don't want to waste my time. But at this, you know, point, as we discussed in the Robert Zemeckis episode, any new Robert Zemeckis |
| 1:14.8 | movie comes with a bit of hesitation. |
| 1:17.9 | And of course, there is the idea that this movie is using AI to digitally de-age people, |
| 1:24.0 | which is like, it immediately gives me pause. |
| 1:26.7 | However, I thought the trailer for |
| 1:28.9 | this looked kind of good. And I also thought the, the basic setup of the movie, which is that |
| 1:34.9 | it's one, it's not like a one take movie, but it's a one shot movie and that the camera |
| 1:40.9 | never moves from one place. It sees rooted in one place for literally millions of years. |
... |
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