4.6 • 1.9K Ratings
🗓️ 16 October 2022
⏱️ 17 minutes
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0:00.0 | This is the flavor. |
0:03.4 | One of the biggest tetraments to people is that they want to attach their emotions to |
0:09.8 | an outcome, which I did for years, right? |
0:11.4 | I'll be happy when I graduate this, when I make this, when this girl does the, everything |
0:17.2 | was attached to an outcome and then once I realized why not enjoy the consistent everyday |
0:21.8 | persistent pursuit of the potential. |
0:25.0 | And what changed my life was probably what an artist thinks is that everyday compounds |
0:32.7 | upon itself and the problem with the pragmatic painting and the pragmatic world, the material |
0:37.7 | that you see, is you don't see anything when you're an artist or if you're a viewer of |
0:43.9 | art until it's 90% of the way done, right? |
0:48.6 | So all the real work of your sculpture, if I asked you, you know, it's 75% of the way |
0:54.4 | there, you know, what it looks like, it won't look like anything. |
0:58.4 | And I saw one of your paintings in the other, the house studio, and I asked you, oh, how |
1:04.3 | close to Dunning, you're like, I don't know, on the halfway there, it looked like nothing. |
1:08.6 | And the reason not so important is that if what you're putting into that painting is positive, |
1:15.6 | you have to be 90% of the way there until you see the positive result. |
1:20.7 | You have to have so much faith, right, how long did this sculpture take, for example? |
1:25.7 | So I actually did like the, I know it was done like 24 hours before this started. |
1:29.6 | It was the little sheer day before the opening night and I did the sketch for the sculpture, |
1:35.2 | I think like in November or something, and we worked on it like, they are all the way |
1:39.2 | up to the very day before. |
1:41.3 | Think about what you want in your life and going every single day, 12, 16, 20 hours a day. |
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